There is nothing like the hush of anticipation that blankets a waiting audience before a show or movie is about to begin. The dimmed lights signal to spectators they are in for a treat, conversations abruptly stop, and all eyes lock with a glittering Chicago as the band raise their instruments to begin.

Our Senior Musical of ‘Chicago: teen edition’ took over Elliot Hall in the penultimate week of Term 1. With a live orchestra, talented cast, and an incredible backstage team, the four performance nights were filled with fosse and satire which were well received by those who came to watch the sold out shows.  

The story follows two women convicted of murder, vying for the public eye as they pursue the American Dream: fame, fortune, and acquittal. Adapted from the original Broadway show debuting in 1975, our version maintained the expose on abuse of power and celebrity status while ensuring the story was appropriate for our teen cast. The directors, Mrs Naomi Wilson and Miss Amelia Ayres brought the vision to life, inviting the audience into an “underground cabaret club” to be inspired “by each vaudeville number… as much as they did their audiences in the 1920s.”

Upon reflection, the glaringly obvious mention for this musical was the powerhouse cast. Strong vocal performances carried the storyline forward and demanded the attention of viewers. Particularly, Eva Paton’s rendition of ‘When You’re Good to Mama’ followed the well-known ‘Cell Block Tango’ with a force that perhaps she only could do. Leads Chlöe Miller, Amelia Evangelidakis, Harry McNamara, and Nathan Dick were polished, expressive, and captured the dichotomy of a grungy cabaret seamlessly.

An added highlight was the live jazz orchestra, directed by Mr Albert Lee. The brass heavy band offered an air of nostalgia, transporting the audience back to the roaring twenties. Additionally, deserving of mention are choreographer Miss Erin Meek, producer Miss Sara Standring, and the behind-the-scenes expertise of technical director Mr Glen Mortensen, responsible for lighting, sound, and set design. Many hands had a part in the complete package delivered seamlessly to audiences, including our VIP Night on the Thursday showing.  The show certainly captivated all who attended, and as many a guest could be heard humming Razzle Dazzle back to their cars.

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